first look inside LACMA’s new zumthor-designed galleries through the lens of iwan baan

lacma reveals david geffen galleries, designed by peter zumthor

 

Peter Zumthor’s long-awaited redesign of the Los Angeles County Museum of Art takes a step forward as LACMA reveals the David Geffen Galleries, its new architectural centerpiece, before art installation begins ahead of the grand public opening in April 2026 (find designboom’s previous coverage here). Capturing the horizontal, elevated structure in glass and concrete, images by Iwan Baan offer the first interior look at the museum’s 10,220-square-meter exhibition level. LACMA is now preparing to welcome the public to select areas of the new building starting summer 2025, signaling a gradual activation of the most ambitious architectural transformation in its history.

 

Before the galleries are filled with thousands of artworks from LACMA’s encyclopedic collection, the museum offers a series of ‘sonic previews’ to animate the raw architecture. Acclaimed saxophonist and composer Kamasi Washington led a more than 100-person ensemble in a performance of his work Harmony of Difference, spread across the full breadth of the empty exhibition spaces.


all images by Iwan Baan

 

 

iwan baan’s images offer a preview of the museum’s new era

 

Floating over Wilshire Boulevard like a contemporary bridge, Zumthor’s building replaces four aging museum structures with a single, unified gallery space. In newly released photographs by Dutch photographer Iwan Baan, the architecture’s flowing form is captured in its raw state, offering a first glimpse into the expansive, unoccupied interiors before art installation begins. The David Geffen Galleries are named after the media magnate whose contribution marked the campaign’s largest gift, while the north wing honors LACMA trustee and board co-chair Elaine Wynn, whose pledge helped launch the building initiative. A new state-of-the-art performance space, the Steve Tisch Theater, anchors the southern plaza level.

 

Major construction of the Zumthor-designed structure was completed in late 2024, allowing key operational functions to move in. In summer 2025, the public will begin to access parts of the plaza level, including new dining and retail spaces. Ray’s and Stark Bar will reopen in a redesigned location, while a new LACMA Store, funded by trustee Kelvin Davis and his wife, Hana, will also debut. Across the boulevard, a second restaurant and a café will open in 2026, their spaces shaped by campaign gifts from Ann Colgin and Joe Wender, Ryan Seacrest, Ashley Merrill, and Marc Merrill.


LACMA reveals the David Geffen Galleries

 

 

outdoor sculptures to be installed in the following months

 

Below the gallery floor, shaded public spaces on both sides of Wilshire Boulevard are designed for outdoor dining, programming, and art. A highlight is the East West Bank Commons, an outdoor plaza with capacity for 500-person events. The W.M. Keck Plaza will also become home to a new education center and a full-scale commissioned artwork by Mariana Castillo Deball titled Feathered Changes, which spans the north and south sides of the building.

 

The new structure reconnects LACMA with the city through architecture and landscape to offer over 14,160 square meters of accessible public space. Outdoor sculptures by artists including Liz Glynn, Thomas Houseago, Shio Kusaka, Pedro Reyes, and Diana Thater will be installed in the coming months. Longtime favorites will also return, including Tony Smith’s Smoke (1967), Alexander Calder’s Three Quintains (Hello Girls) (1964), and a newly designed 743-square-meter Rodin garden, funded by the Cantor Foundation, showcasing some of the artist’s most iconic bronze works.

 

As the museum ramps up toward its 2026 opening, more previews will be announced, and the installation of LACMA’s permanent collection will begin later this year.


images by Iwan Baan offer the first interior look at the museum’s 10,220-square-meter exhibition level


capturing the horizontal, elevated structure in glass and concrete


LACMA is now preparing to welcome the public to select areas of the new building


Zumthor’s building replaces four aging museum structures with a single, unified gallery space

first-look-lacma-new-zumthor-david-geffen-galleries-lens-iwan-baan-los-angeles-designboom-large01

the architecture’s flowing form is captured in its raw state


major construction of the Zumthor-designed structure was completed in late 2024


the installation of LACMA’s permanent collection will begin later this year

first-look-lacma-new-zumthor-david-geffen-galleries-lens-iwan-baan-los-angeles-designboom-large02

as the museum ramps up toward its 2026 opening, more previews will be announced


the new structure reconnects LACMA with the city through architecture and landscape


Peter Zumthor’s long-awaited redesign of the Los Angeles County Museum of Art

 

 

project info:

 

name: LACMA | @lacma

architect: Peter Zumthor

location: Los Angeles, California, US

 

photographer: Iwan Baan | @iwanbaan

The post first look inside LACMA’s new zumthor-designed galleries through the lens of iwan baan appeared first on designboom | architecture & design magazine.

perforated metal veil by KHOA VU transforms old vietnamese villa into breathable restaurant

KHOA VU renovates three-story villa in vietnam

 

In the fast-changing fabric of Ho Chi Minh City’s District 2, where narrow streets weave between cafés, residences, and storefronts, Studio KHOA VU completes Ts VEIL restaurant, a project housed in a renovated, three-story, 300-square-meter villa. Rather than starting from scratch, the architects chose to preserve the core concrete frame, staircase, and roof of the existing structure, layering new spatial and climatic possibilities over its bones. Anchored by a distinctive perforated metal facade that breathes, shades, and even cools, the project reimagines what a small-scale urban intervention can be in a tropical megacity under pressure.


all images by Chuong Nguyen

 

 

porous second skin envelops Ts Veil restaurant

 

The name Ts VEIL reflects the central design gesture of the New York-based practice Studio KHOA VU, including a porous second skin that shrouds the building like fabric. Made of expanded metal mesh supported by a custom steel and precast concrete substructure, the veil offers both functional and poetic expression. At the building’s corner, where the site tightens, the mesh peels open to form a shaded entry threshold that invites passersby inward.

 

Designed for Rehab Station – Social Dining, the project combines hospitality with a deep interest in climatic responsiveness. The outer screen doubles as an environmental device, as its perforations encourage cross-ventilation, while a built-in misting system injects moisture into the hot Saigon air, producing localized microclimates during the city’s most stifling months.


Studio KHOA VU completes Ts VEIL, a restaurant in Ho Chi Minh City

 

 

semi-translucent walls and revealing textures filter sunlight

 

Inside, Studio KHOA VU collaborates with local studio Siri Interior to craft a tactile atmosphere. The architects introduce a second, inner ‘skin’, this time through a palette of glass block, exposed concrete, steel detailing, and wood finishes. The resulting spaces are raw, filtering daylight through semi-translucent walls and revealing textures that shift from cool and industrial to warmly ambient as the day unfolds.

 

Ts VEIL proposes a measured response to the challenges of adapting an older building for continued use. Studio KHOA VU focuses on meaningful changes that improve the building’s performance in Vietnam’s urban climate without erasing what was already there.


the project is housed in a renovated, three-story, 300-square-meter villa


anchored by a distinctive perforated metal facade that breathes, shades, and even cool


the project reimagines what a small-scale urban intervention can be in a tropical megacity under pressure

designboom-guide-venice-see-do-outside-biennale-designboom-large02

this porous second skin shrouds the building like fabric


the mesh peels open to form a shaded entry threshold


the outer screen doubles as an environmental device

designboom-guide-venice-see-do-outside-biennale-designboom-large01

the architects introduce a second, inner ‘skin’


a palette of glass block, exposed concrete, steel detailing, and wood finishes


the built-in misting system injects moisture into the hot Saigon air


Ts VEIL proposes a measured response to the challenges of adapting an older building for continued use

 

 

project info:

 

name: Ts VEIL

architect: KHOA VU | @archdekk

location: Ho Chi Minh City, Vietnam

site area: 300 square meters

 

lead architects: Khoa Vu, Anh Ta

client: Rehab Station – Social Dining

interior design: Siri Interior

construction manager: Tuan Trang

photographer: Chuong Nguyen

The post perforated metal veil by KHOA VU transforms old vietnamese villa into breathable restaurant appeared first on designboom | architecture & design magazine.

mino ware tiles add texture and color to heys café interior by BREND in osaka

Heys Café by BREND: A Flexible, Material-Driven Space in Osaka

 

Located near the river in Nakanoshima, Osaka, Heys Café is a newly constructed coffee shop designed by BREND. The project responds to the brand’s concept of ‘no barriers’ by creating a space where varying materials and functions coexist within a compact footprint of approximately 33 sqm (10 tsubo).

 

To balance seating capacity with a sense of openness, BREND introduced a built-in volume that serves as outdoor bench seating. The café’s street-facing facade incorporates operable steel sashes, allowing for flexible enclosure and ventilation while encouraging interaction between interior and exterior spaces. The overall facade concept intentionally softens the boundary between indoors and outdoors, promoting fluid movement of air and light throughout the space.


all images courtesy of BREND

 

 

Material Continuity and Flexible Spatial Use define BREND’s design

 

Considering materiality, BREND’s design team utilizes Mino ware tiles for both the bench and table finishes, a material characterized by uneven color variation, adding visual texture and continuity. The surrounding walls feature a plaster finish in a color range closely matched to the tiles, creating a cohesive material palette while highlighting subtle differences between surface treatments.

 

The café’s furniture is designed with flexibility in mind. Stackable elements allow the interior layout to adapt easily for alternative uses outside of regular business hours, supporting a variety of spatial configurations.


designed by BREND, the café reflects the brand’s concept of ‘no barriers’


outdoor bench seating is integrated into the building’s volume

osaka-heys-cafe-brend-designboom-1800-2

the design encourages fluid interaction between interior and exterior spaces


material selection emphasizes both texture and durability


the design maximizes usability while maintaining simplicity


different surface materials are unified through a shared color palette

osaka-heys-cafe-brend-designboom-1800-3

Mino ware tiles cover both benches and tables for material continuity


a pastel color palette unifies the interior


stackable furniture allows the interior to be easily reconfigured


walls feature a plaster finish in a tone that complements the tiles

osaka-heys-cafe-brend-designboom-1800-4

operable steel sashes along the street-facing facade allow for flexible ventilation

 

project info:

 

name: heys
architect: BREND

lead designer: Joe Yoshimura | @joe.yoshimura

location: Osaka, Japan

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

The post mino ware tiles add texture and color to heys café interior by BREND in osaka appeared first on designboom | architecture & design magazine.

recycled and bio-based materials shape mushroom-inspired restaurant interior by YOD group

YOD Group Completes Mushroom-Themed Dining Space

 

YOD Group completes the newly opened dining hall for Grybova Hata (Mushroom House), a well-known restaurant located in the Ukrainian Carpathians. As the restaurant’s name suggests, mushrooms serve as both the culinary focus and a conceptual design theme for the interior.

 

The design reinterprets elements of traditional Ukrainian hospitality through a minimalist spatial language. Organic curves, a natural color palette, and the use of raw, eco-conscious materials define the aesthetic approach. The interior relies on just two primary materials: textured plaster and locally sourced travertine, quarried near Ternopil. These material choices establish both visual simplicity and contextual relevance.


all images by Andriy Bezuglov

 

 

recycled and bio-based materials Shape Grybova Hata’s Interior

 

Mushrooms influenced not only the visual narrative but also the material palette. Much of the furniture was fabricated in Ukraine, supporting local craftsmanship. The design process by YOD Group architectural practice prioritized sustainability, with several custom elements developed from recycled and bio-based materials. Lighting fixtures were created by designer Valerii Kuznetsov using recycled plastic and incorporate integrated handwashing stations. The hostess stand features natural chaga mushrooms, referencing the species’ tendency to grow on tree trunks in the region.

 

A notable feature within the space is a series of custom-made curtains produced from mushroom-based biotextile. Designed by Dasha Tsapenko, the installation includes six sculptural curtain pieces shaped like outerwear and sheepskin coats, along with one rectangular panel. These pieces were woven from coconut and hemp fibers, then inoculated with polypore mushroom spores and cultivated under controlled conditions for three weeks. The resulting mycelium formed an uneven, organic surface texture. Due to the biological growth process, each curtain remains unique, with varying densities and visible sections of the original netting.

yod group designed the mushrooms inspired restaurant interior 3

 

 

Grybova Hata’s Dining Layout is Rooted in Regional Food Culture

 

The dining layout organizes seating around three thematic islands, each referencing a different aspect of the local culinary tradition. These include an area focused on cheese, featuring the region’s characteristic cheese horses; a section dedicated to meat, showcasing traditional shovdary (smoked pork legs); and a spirits-focused zone highlighting herbal distillates made from regional botanicals.

 

‘This architecture organically grew within the existing restaurant space, just as a mushroom grows from its mycelium. It embodies the ideas of locality and organic development, rethinking traditional materials and celebrating the culinary heritage of the region,’ says Volodymyr Nepyyvoda, Managing Partner at YOD Group.

yod group designed the mushrooms inspired restaurant interior 5

yod group designed the mushrooms inspired restaurant interior 6

yod group designed the mushrooms inspired restaurant interior 7

yod group designed the mushrooms inspired restaurant interior 2
yod group designed the mushrooms inspired restaurant interior 4

yod group designed the mushrooms inspired restaurant interior 8
yod group designed the mushrooms inspired restaurant interior 9
yod group designed the mushrooms inspired restaurant interior 10
yod group designed the mushrooms inspired restaurant interior 11
yod group designed the mushrooms inspired restaurant interior 12

 

 

project info:

 

name: Grybova Hata | @grybova_hata

architect: YOD Group | @yod.group

design team: Volodymyr Nepyivoda, Dmytro Bonesco, Denys Moseiko, Anna Klachun

lighting: Valerii Kuznetsov | @decorkuznetsov

mushroom-based biotextile: Dasha Tsapenko | @atelier__dashatsapenko

location: Polyanytsya village, Bukovel, Ivano-Frankivsk oblast, Ukraine

area: 230 sqm

photographer: Andrii Bezuglov | @bezuglov

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

The post recycled and bio-based materials shape mushroom-inspired restaurant interior by YOD group appeared first on designboom | architecture & design magazine.

tattoo atelier and residence merge within angular casa T sculpted by SSAA in bangkok

Casa T: a dual-purpose home for a tattoo artist in Bangkok

 

Located on a trapezoidal site in a medium-density suburb west of Bangkok, Casa T is a dual-purpose residence designed by SSAA for a tattoo artist. The project integrates two distinct programs within a single structure: a working atelier and a private family home.

 

Set on a trapezoidal site, the design turns its angular facade toward the adjacent main road, providing a visual and acoustic buffer for the spaces within. The building’s exterior geometry, defined by sharp lines and angular surfaces, draws reference from the precision inherent in tattoo artistry. The massing strategy emphasizes a monolithic form with selective openings toward internal courtyards, introducing daylight and vegetation into the interior spaces.


a street-facing solid facade reveals only a sharp cut | all images by Chakkraphob Sermphasit

 

 

SSAA’s design retains privacy while emphasizing visual openness

 

The atelier occupies the front portion of the house and is accessed via a concealed entrance. A double-height volume serves as the focal point of the workspace, introducing verticality and connecting to an internal courtyard. This spatial configuration allows natural light to penetrate deep into the interior while creating a controlled environment suitable for the nature of the craft. The material palette of the atelier is intentionally dark, drawing on inky tones that reference the artist’s medium, while internal finishes prioritize durability and ease of maintenance.

 

In contrast, the private residence is accessed separately and organized across two floors. It employs warmer materials and lighter tones, creating a distinct spatial character compared to the atelier. Private courtyards positioned along the plan provide filtered daylight and views of greenery, supporting a calm domestic environment. The layout prioritizes privacy while maintaining visual connections to the outdoors. Circulation between work and living zones is carefully managed to support both separation and proximity, allowing the resident to transition between professional and domestic activities as needed. By using spatial thresholds rather than rigid divisions, Casa T by SSAA architectural practice offers a nuanced balance between these two aspects of daily life.


the project sits on a trapezoidal site in a medium-density suburb west of the city


the entry is hidden behind the monolithic facade


a double-height volume anchors the atelier, bringing natural light and greenery into the space


dark finishes frame a sunken lounge, oriented toward the garden


material contrasts reinforce the distinction between the atelier and the residence


the concealed door sits flush within the dark wall, reinforcing the room’s geometric order

bangkok-casa-t-dual-purpose-residence-tattoo-atelier-ssaa-designboom-1800-3

the atelier features a dark material palette with inky tones referencing the tattoo artist’s medium


a floating concrete stair step evolves to form a dining table


the private residence is arranged across two floors, accessed separately from the atelier


warmer materials and lighter tones create a distinct atmosphere in the living areas


cantilevered concrete stairs lead to the upper level of the home

bangkok-casa-t-dual-purpose-residence-tattoo-atelier-ssaa-designboom-1800-2

a monolithic massing strategy defines the exterior form, punctuated by selective openings


sculptural form stands out within the streetscape


the building’s sharp lines and geometric surfaces reference the precision of tattoo artistry

 

project info:

 

name: Casa T
architect: SSAA | @ssaa_studio

design team: Sukatouch Songsombat, Sukrit Sukasam

area: 230 sqm

location: Bangkok, Thailand

photographer: Chakkraphob Sermphasit | @aacs.photo

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post tattoo atelier and residence merge within angular casa T sculpted by SSAA in bangkok appeared first on designboom | architecture & design magazine.

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka

william mulvihill continues his expo 2025 osaka photo series

 

A sweeping timber ring — the largest of its kind in the world — encircles the Expo 2025 Osaka site on Yumeshima Island, Japan, anchoring the world fair. Conceived by Sou Fujimoto, the Grand Ring serves as the Expo’s circulatory core and forms a new landmark on the island, connecting national pavilions, performance venues, and public spaces beneath an expansive wooden canopy that doubles as a skywalk. A new series of photographs by William Mulvihill captures the complete structure in striking detail, highlighting its scale, construction, lightness, atmosphere, and material elegance. Following the photographer’s visual journey capturing the Expo’s national pavilions, this new series documents the monumental structure’s vast footprint while highlighting the intricacy of its lattice of timber beams.

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
all images by William Mulvihill

 

 

sou fujimoto’s monumental timber ring anchors the expo

 

Spanning over 60,000 square meters and stretching 2 kilometers in circumference, the Grand Ring is now the largest timber structure in the world. It rises between 12 and 22 meters in height and is made from a combination of local Japanese sugi cedar, hinoki cypress, and Scots pine glulam, joined using traditional Japanese nuki joinery techniques. Built in collaboration with Tohata Architects & Engineers and Azusa Sekkei, the project exemplifies expressions of heritage craftsmanship merged with contemporary structural engineering, designed to resist earthquakes while maintaining a delicate and open character for its life during the Expo and beyond.

 

Fujimoto has described the ring as ‘a symbol of our times,’ shaping it as a circular space that promotes collective experience alongside ecological sensitivity. The structure shelters visitors from sun and rain below, while a continuous elevated deck above provides panoramic views of the Expo site and Osaka Bay.

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
William Mulvihill captures the pavilions of Expo 2025 Osaka

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
Sou Fujimoto’s Grand Ring becomes the protagonist of the series

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
the structure serves as the Expo’s circulatory core and forms a new landmark on the island

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
highlighting scale, construction, lightness, atmosphere, and material elegance

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
the Grand Ring is now the largest timber structure in the world

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
joined using traditional Japanese nuki joinery techniques

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
Fujimoto has described the ring as ‘a symbol of our times’

expo-osaka-william-mulvihill-sou-fujimoto-ring-designboom-03

the project exemplifies expressions of heritage craftsmanship merged with contemporary structural engineering

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
atop it’s an expansive wooden canopy that doubles as a skywalk

william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka
the continuous elevated deck above provides panoramic views of the Expo site


designed to resist earthquakes


a circular space that promotes collective experience alongside ecological sensitivity

expo-osaka-william-mulvihill-sou-fujimoto-ring-designboom-01

the series documents the monumental structure’s vast footprint

 

project info:

 

name: Grand Ring

architect: Sou Fujimoto | @sou_fujimoto

The post william mulvihill captures material intricacy of sou fujimoto’s grand ring at expo 2025 osaka appeared first on designboom | architecture & design magazine.

acne studios launches permanent gallery space in paris with exhibition by paul kooiker

acne studios launches its first permanent art space in paris

 

Acne Studios unveils a new permanent gallery space in Paris, Acne Paper Palais Royal, with ‘2025’, a solo exhibition by photographer Paul Kooiker on view through July 27th, 2025. Located at 124 Galerie de Valois, beneath the historic arcades of the Palais Royal and overlooking its iconic gardens, the space marks a significant chapter for the Swedish fashion house as it extends its presence beyond fashion into the realms of art, exhibitions, and cultural events.


images courtesy of Acne Studios

 

 

from magazine to life

 

The gallery is named after Acne Paper, the biannual magazine of the Stockholm-based house, featuring fashion, art, design, and writing. Much like the magazine, this new space is designed to host a mix of creative content that spans from art shows and photography exhibitions to talks, book signings, and cultural events. It’s intended as a space for dialogue and experimentation, where both well-known and emerging artists can share work and ideas.

 

The first exhibition at Acne Paper Palais Royal will feature new works by Dutch photographer Paul Kooiker, known for his unusual, stylized images that often explore the human body in surreal or theatrical ways. This choice fits well with Acne Studios’ visual identity and its longtime interest in photography and conceptual image-making. Since its founding in 1996 in Stockholm as a multidisciplinary collective, Acne Studios has treated fashion as just one part of a larger creative practice. This gallery in Paris reinforces that approach, placing the brand in one of the most iconic cultural locations of the city.


2025 by Paul Kooiker is on view through July 27th, 2025

 

 

2025 photographic exhibition by Paul Kooiker

 

Paul Kooiker’s 2025 photographic exhibition, on view through July, 27th, 2025, gathers forty-two portraits of art students from Amsterdam’s Gerrit Rietveld Academie, offering a sharp yet nuanced meditation on the ambivalence of young adulthood. While formally echoing the conventions of school portraiture, Kooiker’s images resist nostalgia and instead document a generation caught between uncertainty and resilience.

 

Each portrait stands as a rite of passage and a snapshot of emotional ambiguity. The familiar format, head-on, tightly framed, and meticulously lit, serves as a canvas for psychological tension. These are not celebratory tokens of academic progression but rather open-ended reflections on a volatile moment. The students’ expressions, neither entirely hopeful nor wholly anxious, channel the complexity of a world where optimism is tempered by crisis.


forty-two portraits of art students from Amsterdam’s Gerrit Rietveld Academie are on display


a sharp yet nuanced meditation on the ambivalence of young adulthood


each portrait stands as a rite of passage and a snapshot of emotional ambiguity 


Acne Studios opens a new permanent gallery space in Paris


the gallery opens to the public on June 26th, 2025


the first exhibition at Acne Paper Palais Royal will feature new works by Dutch photographer Paul Kooiker


a major step for the Swedish fashion brand


the gallery is named after Acne Paper, the biannual magazine of the brand | via @acnestudios


the students’ expressions channel the complexity of a world where optimism is tempered by crisis

 

 

project info:

 

name: Acne Paper Palais Royal

brand: Acne Studios | @acnestudios

location: 124 Galerie de Valois, Palais Royal, 75001 Paris, France

opening date: June 26th, 2025

 

inaugural exhibition: 2025
photographer:
Paul Kooiker | @paulkooiker
dates: June 26th – July 27th, 2025

The post acne studios launches permanent gallery space in paris with exhibition by paul kooiker appeared first on designboom | architecture & design magazine.

designboom’s guide to venice: what to see and do outside of the biennale

A GUIDE TO VENICE, BEYOND THE BIENNALE

 

With the 2025 Venice Architecture Biennale underway through November 23, the Italian city is once again at the center of global conversations about design and the built environment. But beyond the Biennale’s main venues, Venice offers a wider architectural landscape worth exploring — one that blends centuries of history with thoughtful contemporary additions.

 

Alongside our dedicated guide to the Biennale, designboom’s Venice guide takes you off the official circuit to uncover a curated selection of museums, galleries, and landmarks. From the refined details of Carlo Scarpa and the calm precision of Tadao Ando, to David Chipperfield‘s thoughtful restoration projects, the city is packed with architectural gems waiting to be discovered. Alongside these are unexpected stops like Santiago Calatrava’s sculptural Ponte della Costituzione, the quiet beauty of San Michele Cemetery, the more recent Vincenzo De Cotiis Foundation, and even a standout local supermarket, Despar Campiello de l’Anconeta, housed in a converted theater. Venice’s hospitality scene also reflects its layered identity. Accommodation options for design-savvy travelers range from the serene Madama Garden Retreat to the historic grandeur of the San Clemente Palace. And when it’s time to refuel, the city’s culinary landscape offers everything from cicchetti and wine at traditional bacari like Cantina del Vino Gia Schiavi to contemporary dining at Zanze XVI and hyper-local, seasonal options at ABC Zattere, the new restaurant of Scuola Piccola Zattere designed by Fosbury Architecture.

 

To help you navigate the city’s many layers, we’ve embedded an interactive map, so you can chart your own path through Venice’s rich, ever-evolving built environment. Explore designboom’s must-see spots below.

 

explore designboom’s curated map to the city of Venice | header image by Anastasiya Lobanovskaya

 

 

DESIGNBOOM VENICE GUIDE: museums, galleries and exhibitionS

 

Procuratie Vecchie / David Chipperfield Architects

 

Facing the northern edge of Piazza San Marco, the Procuratie Vecchie stretches 152 meters along the square with a rhythmic procession of 50 arches and 100 windows. This serial geometry defines the monumental Renaissance facade of the building that has stood for over 500 years. Originally constructed in the 16th century to house the procurators of San Marco, Procuratie Vecchie remained closed to the public for centuries, until a major restoration by David Chipperfield Architects reopened it in 2022.

 

The architects approach the building with humility, peeling back layers of past modifications to reveal its historical essence. Interventions include sculptural white staircases, restored finishes, and a palette rooted in Venetian materials. Much of the original structure was preserved, with new accessibility routes, a public reception space, and revitalized offices embedded into the fabric. The most significant transformation unfolds on the third floor, now home to The Human Safety Net, a cultural and social hub supporting global communities. Once a sealed attic, the upper level is now an open civic space with exhibition galleries, event venues, and a cocciopesto-lined rooftop.

 

practical info:

name: Procuratie Vecchie 
location: Piazza San Marco, Venice

venice SMAC art centre
Venice Procuratie | image © Mike Merkenschlager

 

 

palazzo grassi and teatrino grassi / tadao ando

 

Located on Venice’s iconic Grand Canal between Palazzo Moro Lin and Campo San Samuele, Palazzo Grassi is a Venetian Classical masterpiece originally designed by Giorgio Massari and completed in 1772. Unlike its Byzantine and Baroque neighbors, this palazzo stands out with its white marble facade and academic classical style, a latecomer among Grand Canal palazzi and the largest site built before the fall of the Venetian Republic.

 

Over centuries, the building passed through various owners, including the Cini family and Baron Simeone De Sina, who transformed its adjacent garden into an open-air theater. In 2005, François Pinault acquired the palazzo, entrusting Tadao Ando with a minimalist reimagining that would turn the 40-room space into a center of contemporary art.

 

Completing Pinault’s cultural trilogy, Ando’s Teatrino di Palazzo Grassi is a 1,000-square-meter venue that features a 225-seat auditorium, dressing rooms, a control room, and a foyer bathed in soft natural light pouring through triangular skylights. Large concrete volumes and angular walls create flexible, cinematic spaces for screenings, performances, lectures, and artist talks, with muted tones designed to highlight artwork and adapt to each event.

 

Running alongside the Architecture Biennale, Palazzo Grassi hosts the major solo show of French-Italian artist Tatiana Trouvé. Curated by Caroline Bourgeois and James Lingwood, the exhibition explores constellations, maps, and memories through chair sculptures, installations, and drawings.

 

practical info:

name: Palazzo Grassi | @palazzo_grassi
location: Campo San Samuele, 3231, 30124 Venice

 

venice-architecture-biennale-side-trip-modern-new-historic-must-sees-city-designboom-large01

Teatrino di Palazzo Grassi | image courtesy of Pinault Collection

 

punta Della Dogana Museum / Tadao Ando

 

At the tip of Venice’s Dorsoduro district, where the Grand Canal meets the Giudecca, the Punta della Dogana museum is part of the Venetian contemporary art scene with Tadao Ando’s signature restraint. After 14 months of restoration, the former customs house reopened in 2009 as a permanent venue for the François Pinault Collection, expanding the French collector’s presence in Venice alongside Palazzo Grassi.

 

Ando’s intervention preserves the rational triangular shape of the building, mirroring the pointed footprint of the site, while stripping away layers of partitioning to restore its original open form. Inside, a rhythmic sequence of long rectangular volumes emerges, framed by exposed brick, polished concrete, and natural light.

 

During the Biennale, Punta della Dogana hosts Thomas Schütte: Genealogies, the first major exhibition of the German artist in Italy. Curated by Camille Morineau and Jean-Marie Gallais, the show explores Schütte’s diverse practice that spans sculpture, architectural models, photography, and printmaking through an expansive selection of works from the Pinault Collection and the artist’s own archive.

 

practical info:

name: Punta della Dogana | @palazzo_grassi
location: Dorsoduro, 2, 30123, Venice


Punta della Dogana | image courtesy of Pinault Collection

 

 

fondazione prada

 

Fondazione Prada’s Venetian headquarters, Ca’ Corner della Regina, is an 18th-century Baroque palace located in the Santa Croce district and overlooking the Grand Canal. Designed by architect Domenico Rossi for the Corner family, it stands on the historic site of Caterina Cornaro’s birthplace, the Queen of Cyprus. The building features symmetrical staircases, an elegant Istrian stone façade, and frescoed porteghi, all emblematic of the splendor of Venetian aristocracy. In collaboration with the Soprintendenza per i Beni Architettonici, ongoing preservation efforts have uncovered previously concealed frescoes and restored original stucco, marmorino, and stone elements, enhancing the palazzo’s architectural heritage.

 

Currently on view at Ca’ Corner della Regina is Diagrams, an exhibition conceived by AMO/OMA and curated by Rem Koolhaas and Giulio Margheri, with historian Sietske Fransen. Spread across the ground and first floors, the exhibition investigates the diagram as a universal tool for organizing knowledge, articulating ideas, and exerting influence. With over 300 objects on display, Diagrams maps the evolution and impact of visual representation across cultures and eras. The exhibition is organized into nine thematic sections, each addressing a specific conceptual urgency, and is centered around a ‘meta-diagram’, a space that reflects on the diagram itself as both subject and method.

 

practical info:

name: Fondazione Prada Venice | @fondazioneprada
location: Ca’ Corner della Regina, Calle de Ca’ Corner, Santa Croce 2215, Venice


image by Agostino Osio, courtesy Fondazione Prada

 

 

Fondazione Querini Stampalia / Carlo Scarpa

 

Founded in 1869 by Count Giovanni Querini, the last descendant of the noble Venetian family, the Fondazione Querini Stampalia is housed in a sixteenth-century palazzo in the sestiere of Castello, just south of Santa Maria Formosa. Part archive, part library, and part museum, the foundation is envisioned as a place for study and civic access to knowledge, with its library famously remaining open on Sundays, fulfilling the Count’s wish to keep it accessible when others are closed.

 

The most iconic transformation of the palazzo came in the early 1960s, when Carlo Scarpa renovated the ground floor. His intervention includes a new entrance bridge, an atmospheric atrium, and a courtyard garden, where flowing water, local stone, bronze, and concrete create an immersive spatial narrative. Scarpa’s design negotiates with the frequent flooding of the Italian city, drawing water into the very heart of the building. A mosaic by Mario Deluigi and fountains cast in relief complete this choreography of materials. Subsequent interventions include connective staircases by Valeriano Pastor, a major reorganization of space and services by Mario Botta, and a 2018 gallery restoration by Michele De Lucchi for the Collezione Intesa Sanpaolo.

 

practical info:

name: Fondazione Querini Stampalia | @fondazionequerinistampalia
location: Santa Maria Formosa Castello 5252, 30122, Venice


image courtesy of Fondazione Querini Stampalia

 

 

fondazione Giorgio cini

 

Established in memory of Giorgio Cini by his father Vittorio Cini, the Fondazione Giorgio Cini occupies the monumental Island of San Giorgio Maggiore, home to centuries of artistic and architectural legacy. After nearly 150 years of military occupation, the Foundation initiated a major postwar restoration, reactivating Palladio and Longhena’s historic complex as a major international center for cultural production, humanistic research, and dialogue.

 

The Foundation’s hybrid mission spans humanities and sciences, hosting symposia, advanced courses, and interdisciplinary research across its seven Institutes and three research centers. Topics range from theatre and spirituality to digital heritage and musicology.

 

The Fondazione Giorgio Cini also hosts The Fondation Cartier pour l’art contemporain by Jean Nouvel, an exhibition presented in conjunction with the 2025 Biennale that unveils Nouvel’s vision for the Fondation Cartier’s future building in Paris, set to open in autumn 2025. At the heart of the show is a large-scale sectional model with five modular platforms that can be reconfigured to create flexible spatial scenarios. Full-scale photographs, projections, plans, and prototypes illustrate features such as retractable ceilings and mobile guardrails that respond to changing light conditions and views of the city.

 

practical info:

name: Fondazione Giorgio Cini | @fondazionecini
location: Ca’ Corner della Regina, Calle de Ca’ Corner, Santa Croce 2215, Venice


image courtesy of Fondazione Giorgio Cini

 

 

SMAC

 

SMAC San Marco Art Centre opens in the newly restored Procuratie Vecchie on Piazza San Marco. Designed by David Chipperfield Architects for Generali Real Estate, the renovation marks the first public access to the landmark’s upper floors in five centuries. SMAC spans over 1,000 square meters across sixteen galleries with restored marmorino walls, terrazzo floors, and exposed timber beams. Positioned as a new cultural anchor in Venice, SMAC launches with two exhibitions: Migrating Modernism, a retrospective on architect Harry Seidler, and For All That Breathes on Earth, the first international survey of Korean landscape architect Jung Youngsun. A symposium with The World Around inaugurates its public program, affirming SMAC’s interdisciplinary ethos at the intersection of architecture, art, and civic dialogue.

 

practical info:

name: SMAC San Marco Art Centre | @smac_venice
location: Procuratie Vecchie, Piazza San Marco 107, Venice, Italy

venice SMAC art centre
SMAC San Marco Art Centre galleries | image © Andrea Artoni, courtesy Generali Real Estate

 

 

Ocean Space

 

Located within Venice’s historic Church of San Lorenzo, Ocean Space operates as a planetary center dedicated to ocean literacy, research, and environmental advocacy through the arts. Established by TBA21–Academy, this venue hosts rotating exhibitions and public programs that deepen engagement with the ocean’s critical role in our planetary future.

 

The space currently presents two interlinked exhibitions – otras montañas, las que andan sueltas bajo el agua, curated by Yina Jiménez Suriel, and Echoes of the Sanctuary, curated by Louise Carver. Complementing these immersive exhibitions, the Skywalk project by RSHP and Platform Earth proposes an elevated pedestrian route above the Venetian lagoon’s salt marshes.

 

practical info:

name: Ocean Space | @oceanspaceorg
location: Campo S. Lorenzo, 5069, 30122, Venice


image by Marco Cappelletti, courtesy Ocean Space

 

 

Peggy Guggenheim Collection (Palazzo Venier dei Leoni)

 

Set along the Grand Canal in the Dorsoduro district, the Peggy Guggenheim Collection occupies the striking yet incomplete Palazzo Venier dei Leoni, a one-story structure originally intended as a grand five-story palace. Its unfinished facade of Istrian stone offers a rare horizontal pause amidst Venice’s vertical splendor, making it one of the city’s most recognizable landmarks. Once the private residence of Peggy Guggenheim, the palazzo now serves as a museum for her renowned collection of 20th-century art, including works by Picasso, Pollock, and Giacometti. Opened to the public in 1980, the museum continues to host rotating exhibitions, educational programs, and events that build on Guggenheim’s legacy, offering visitors a unique blend of modern art and Venetian history.

 

On view until September 15, 2025, Maria Helena Vieira da Silva: Anatomy of Space at the Peggy Guggenheim Collection offers a look into the work of the Portuguese-born artist. Curated by Flavia Frigeri, the exhibition brings together around seventy pieces from major museums like the Centre Pompidou, MoMA, Tate Modern, and the Guggenheim. It shows how Vieira da Silva developed her unique style that combines abstract forms with hints of real spaces. The show also explores her time in Paris, her years in Brazil during World War II, and her connection to important figures in the art world. After Venice, the exhibition will move to the Guggenheim Museum Bilbao later in 2025.

 

practical info:

name: Peggy Guggenheim Collection | @guggenheim_venice
location: Dorsoduro, 701, 30123 Venice

venice-architecture-biennale-side-trip-modern-new-historic-must-sees-city-designboom-large02

image courtesy of Peggy Guggenheim Collection

 

museo fortuny

 

Housed in the late Gothic Palazzo Pesaro degli Orfei, the Fortuny Museum offers a personal glimpse into the life and legacy of Mariano Fortuny y Madrazo, painter, inventor, and textile designer. Once his home and creative laboratory, the palazzo was restored and transformed by Fortuny and his partner Henriette Nigrin into a thriving atelier for theatrical design and fabric printing.

 

Today, the museum preserves the layered richness of this artistic legacy, showcasing Fortuny’s visionary experiments alongside contemporary interventions. During the Biennale period, the space hosts the second edition of Fortuny x Chahan, an evocative installation by interior architect Chahan Minassian that reactivates the palazzo’s rooms through furniture, light, and texture. Highlights include the collaborative ARMONIA collection and rare works by sculptor Pierre Sabatier, bridging past and present through immersive design.

 

practical info:

name: Fortuny Museum | @visitmuve
location: Fondamenta Narisi, 3958, 30124, Venice


image courtesy of Museo Fortuny

 

 

Palazzo diedo

 

After more than two years of restoration, Palazzo Diedo reopened new space for contemporary art in Venice. Originally adorned with 18th- and 19th-century frescoes and stucco, the building has been restored to its former grandeur and now houses exhibitions, artist residencies, performances, and events across five expansive floors. Operated by Berggruen Arts & Culture, a philanthropic foundation founded by collector Nicolas Berggruen, the palazzo fosters dialogue between past and present, and between Eastern and Western cultural traditions.

 

Among the permanent installations, a designboom highlight is Carsten Höller’s Doubt Staircase, a fully functional sculptural stair that fills an 18th-century architectural void where a staircase was never completed. Tilted subtly at a five-degree angle, it physically disorients while provoking a deeper, bodily form of reflection. Drawing inspiration from Venice’s spiral staircases, including Palladio’s work and the nearby Scala Contarini del Bovolo, Höller’s piece is made of Vicenza stone, marmorino marble, and metal. It connects the building’s two piano nobili and exemplifies the palazzo’s new role as a site where, in the artist’s words, ‘doubt becomes a very natural way of being.’

 

Running alongside the Venice Architecture Biennale, The Next Earth: Computation, Crisis, Cosmology unfolds at Palazzo Diedo from May 10 to November 23, 2025. Curated by the Berggruen Arts & Culture Center, the exhibition bridges speculative research and climate activism through two featured initiatives: Antikythera’s Planetary Sapience and MIT Architecture’s Climate Work: Un/Worlding the Planet (read designboom’s coverage here). Set across two floors, the show explores the role of architecture in the ecological reconfiguration of the Earth, framing design as an instrument of both critique and possibility.

 

practical info:

name: Palazzo Diedo | @berggruendiedo
location: Cannaregio 2386, 30121, Venice

'doubt is beautiful': carsten höller on transforming palazzo diedo's unfinished staircase in italy
image by Massimo Pistore. courtesy of the artist, Carsten Höller Studio and Palazzo Diedo – Berggruen Arts & Culture

 

 

victoria miro venice

 

Victoria Miro’s Venice gallery, opened in 2017, extends the commitment of the London-based gallery to showcasing pioneering contemporary art on an international stage. Housed in a historic building in the heart of the city, the Venice location offers an intimate setting for solo presentations, curated group exhibitions, and artist residencies. The presence of the gallery in Venice aligns with major cultural moments such as the Biennale, providing a platform for both established and emerging artists to engage with global audiences in a city synonymous with art and history.

 

practical info:

name: Victoria Miro | @victoriamirogallery
location: Sestiere di San Marco, Calle Drio la Chiesa, 1994, 30124, Venice


image courtesy of Victoria Miro

 

 

Ca’ Rezzonico

 

Ca’ Rezzonico is a grand historic palace located in Venice’s Dorsoduro district, right on the edge of the Grand Canal. Its construction began in the 1600s for the Bon family, designed by renowned architect Baldassare Longhena. However, the project wasn’t completed until much later, in the 1700s, when the Rezzonico family, newly elevated to nobility, hired architect Giorgio Massari to finish the building. The result is an impressive composition of Baroque and Rococo architecture, reflecting th taste of Venice’s upper class at the time.

 

Today, Ca’ Rezzonico is home to the Museo del Settecento Veneziano (Museum of 18th-Century Venice). Inside, visitors can explore rooms filled with period paintings, ornate furniture, frescoed ceilings, and decorative objects that bring the culture and lifestyle of 1700s Venice to life. The palace itself adds to the experience with its grand canal-facing entrance, richly detailed facade, and bright inner courtyard make it feel like stepping into a theatrical scene from the past.

 

practical info:

name: Ca’ Rezzonico | @visitmuve
location: Sestiere Dorsoduro, 3136, 30123, Venice


image courtesy of Ca’ Rezzonico

 

 

DESIGNBOOM VENICE GUIDE: unique stops

 

PONTE DELLA COSTITUZIONE / SANTIAGO CALATRAVA

 

Venice’s bridges are legendary, but adding a new one over the Grand Canal is a rare, headline-worthy event, the fourth since the 16th century. Commissioned in 1999, Santiago Calatrava’s Ponte della Costituzione connects the city’s railway station to Piazzale Roma, serving as a vital pedestrian link and an iconic introduction for visitors.

The 94-meter steel-and-glass structure arches over the canal with respect for Venice’s historic fabric. Its crescent-shaped abutments open up the quays, creating lively public spaces at each end, while tempered glass steps and natural stone echo the city’s classic pavement. At night, integrated lighting turns the bridge into a glowing stage above the water.

 

practical info:

 

name: Ponte della Costituzione
architect:
Santiago Calatrava | @calatravaofficial
location: Ponte de la Constituzione, 30135, Venice


image courtesy of Santiago Calatrava

 

 

despar Ex Cinema Teatro Italia

 

Despar Teatro Italia in Venice transforms the everyday act of grocery shopping into a cinematic experience. Housed inside a restored 1915 neo-Gothic and Art Nouveau theatre, the supermarket retains the grandeur of its past life as a cultural venue, complete with soaring ceilings, chandeliers, and intricate frescoes. Shoppers can browse local wines, pasta, and snacks beneath The Allegory of the Glory of Italy, the dramatic ceiling painting that once watched over opera performances and silent films during World War I.

 

practical info:

name: Despar Teatro Italia
location: Cannaregio nn, Campiello de l’Anconeta, 1939-1952, 30121, Venice

 

venice-architecture-biennale-side-trip-modern-new-historic-must-sees-city-designboom-large04

image © Flickr via Jacopo Brivio

 

San Michele cemetery / David Chipperfield

 

Nestled on an island between Venice and Murano, San Michele Cemetery is the main resting place of the city, dating back to 1807 and expanded by joining two islands in 1839. David Chipperfield’s plan organizes the cemetery into three rectangular buildings for burials, cremations, and ossuaries, arranged around varied courtyards defined by solid basalt and pietra d’Istria walls and colonnades inspired by the nearby 15th-century cloister. This breaks from the typical linear rows of tombs, creating intimate, grounded spaces that unify architecture, landscape, and memorials.

 

Opened in 2007, the ‘Courtyard of the Four Evangelists’ acts as the project’s core, featuring basalt walls and gospel inscriptions. The expansion completed in 2017 added the Ossuary of St. John the Baptist and the Court of the Three Archangels, blending traditional red brick with raw concrete interiors.

 

practical info:

 

name: San Michele Cemetery
architect: David Chipperfield | @david.chipperfield
location: Isola di San Michele, 30121 Venice


image by ORCH – Orsenigo Chemollo, Ute Zscharnt, Christian Richters, courtesy of David Chipperfield

 

 

Olivetti Showroom / Carlo Scarpa

 

Located beneath the colonnades of the Procuratie Vecchie in Piazza San Marco, the Olivetti Showroom is a compact architectural gem commissioned in 1957 by Adriano Olivetti as a modern showcase for his company’s design. For this ambitious endeavor, Olivetti turned to Carlo Scarpa, who transformed the narrow, shadowy interior into a luminous, open-plan space of calibrated geometries.

 

At the center of Scarpa’s double-height composition stands a seemingly floating staircase, its stone treads cantilevered from slender steel supports, establishing a rhythm of movement. Framed by light, the staircase is the signature element of the showroom, flanked by elongated upper galleries that house vintage Olivetti machines and small office nooks.

 

After decades of neglect, the space was restored in 2011 by Assicurazioni Generali, following a campaign initiated by FAI (Fondo per l’Ambiente Italiano), which now manages its conservation and public access. The showroom becomes active once more during the Venice Architecture Biennale with The Shape of Things to Come, an exhibition by Formafantasma curated by Bartolomeo Pietromarchi. Installed within Scarpa’s modernist interiors, the show revisits the duo’s Ore Streams project to critically examine the tech industry’s impact on the climate, juxtaposing planned obsolescence with Scarpa’s enduring craftsmanship.

 

practical info:

 

name: Olivetti Showroom

architect: Carlo Scarpa
location: FAI Negozio Olivetti | @negozioolivetti, Procuratie Vecchie, Piazza San Marco, Venice, Italy


image by Luca Carli © FAI, via @negozioolivetti

 

 

vincenzo de cotiis foundation

 

Located along the Grand Canal in the Baroque Palazzo Giustinian Lolin, the newly inaugurated Vincenzo De Cotiis Foundation enriches Venice’s cultural fabric with a bold commitment to contemporary art and design. Opening its doors in April 2024 with the monumental installation Archaeology of Consciousness Venice, the foundation explores time and memory through three large arches composed of ancient stone, Murano glass, and futuristic fiberglass. Positioned in the courtyard as if emerging from the lagoon, the work offers a symbolic passage through past, present, and future—mirroring Venice itself as a living archive and site of transformation. Accessible by appointment only, the foundation continues De Cotiis’ long engagement with the city, offering exhibitions, installations, and publications aligned with La Biennale di Venezia.

 

practical info:

name: Vincenzo De Cotiis Foundation | @vincenzodecotiisfoundation
location: Palazzo Giustinian Lolin, San Marco, Calle Giustinian 2893, 30124 Venice


image courtesy of Vincenzo De Cotiis Foundation

 

 

DESIGNBOOM VENICE GUIDE: where to stay

 

SAN CLEMENTE PALACE VENICE / MANDARIN ORIENTAL

 

A ten-minute private boat ride from St. Mark’s Square, San Clemente Palace Venice occupies its own 20-acre island in the Venetian Lagoon. Managed by Mandarin Oriental, the five-star resort is set within a historic complex that includes a 12th-century church, renovated in the 17th century, considered one of only three ‘church-in-church’ structures in Europe.

 

Surrounded by a landscaped park dotted with contemporary sculpture, the 170-room hotel includes 50 suites and 32 special suites. Amenities include a palm-lined outdoor pool with cabanas, a tennis court, a golf pitch & putt, jogging trail, open-air cinema, and The Longevity Spa, a biohacking-focused wellness center. The pheasant-friendly gardens and island-wide art collection add an unexpected charm to the setting.

 

Dining options include Acquerello, a fine-dining restaurant with panoramic lagoon views, La Dolce brasserie by the pool, and a series of elegant bars including the San Clemente Bar and the open-air Sunset Bar. Regular complimentary shuttles connect the island to Piazza San Marco from early morning until after midnight. With the tagline ‘Close to magic, away from crowds,’ the resort positions itself as a serene retreat at the crossroads of heritage, nature, and luxury.

 

practical info:

name: San Clemente Palace Venice | @mo_hotels
location: Isola di San Clemente 1, 30124, Venice

venice-architecture-biennale-side-trip-modern-new-historic-must-sees-city-designboom-large05

image courtesy of San Clemente Palace Venice

 

 

Madama Garden Retreat

 

Tucked behind the ancient walls of Palazzo Antelmi along the Cannaregio canal, Madama Garden Retreat is a nine-suite residence that brings together Venetian heritage and contemporary design. Hidden in plain sight, across from the grand Scuola della Misericordia and only glimpsed from passing boats, the retreat is accessed discreetly via its own porta d’acqua, or water gate.

 

Conceived and curated by Mara De Guidi, a former fragrance executive turned hospitality visionary, the boutique hotel is a destination for lovers of design, art, and tranquility. De Guidi personally curated every element, from the tide-protective engineering system to the use of traditional Venetian materials like brocade, brass, and Murano glass. A bespoke composition of textures and scents completes each suite, enhanced by Diptyque amenities, handpicked linens, and daily offerings of fresh fruit and desserts. The residence is centered around its lush private garden, a notable part of the Wigwam Club’s appreciation for botanical culture and heritage.

 

practical info:

name: Madama Garden Retreat | @madama_venice
location: Sestiere Cannaregio 3604, 30121, Venice


images courtesy of Madama Garden Retreat

 

 

venice venice hotel

 

The Venice Venice Hotel reimagines the legacy of the Ca’ da Mosto palazzo, one of the oldest buildings along the Grand Canal, as a five-star retreat. Just a short walk from the Rialto Bridge, this historic building combines its centuries-old charm with a contemporary sensibility shaped by art, design, and fashion.

 

The interiors of the hotel host site-specific installations that turn public spaces into immersive art environments, while the rooms themselves embrace a unique ‘post-Venetian’ aesthetic, featuring lofty ceilings, iconic views, and bold design references to 20th-century artistic movements. At the top of the palazzo, a rooftop terrace (altana) offers panoramic views across the city.

 

The Venice Venice Hotel is closely connected to the cultural life of the city. On the second floor, a large glass installation by Murano maker Venini sets the tone for events and gatherings. Downstairs, the Venice M’Art houses a restaurant with a design shop, while the private Venice Bitter Club offers a quieter space for members.

 

practical info:

name: Venice Venice Hotel | @venicevenicehotel
location: Sestiere Cannaregio, 5631, 30121, Venice


images courtesy of Venice Venice Hotel

 

 

palazzo venart

 

Tucked along the Grand Canal, the five-star hotel Palazzo Venart brings centuries of Venetian history to life. Originally built in the 15th century and once home to legendary figures like mercenary captain Pandolfo Malatesta and the ill-fated Count of Carmagnola, the palace has seen its share of drama, grandeur, and transformation.

 

After a fire in 1845 destroyed its canal-facing facade, the damaged section was eventually replaced with a garden that adds to the charm of the property. Inside, frescoes from the 19th century still line the hallways, painted to reflect scenes of Venice’s social life, while ornate ceilings, gilded beams, and a stunning marble staircase have all been carefully restored. The building has changed hands over the years, from noble families to collectors, and each chapter left its mark.

 

Following a meticulous restoration completed in 2016, the historic palace reopened as Palazzo Venart – Luxury Hotel. With just a handful of rooms, a peaceful courtyard garden, and sweeping views of the Grand Canal, it offers guests an intimate way to experience Venice.

 

practical info:

name: Palazzo Venart | @palazzovenart
location: Calle Tron, 1961, 30135, Venice


images courtesy of Palazzo Venart

 

 

DESIGNBOOM VENICE GUIDE: where to eat

 

ABC Zattere

 

As part of the evolving cultural identity of Scuola Piccola Zattere, Fosbury Architecture completes the new ABC Zattere restaurant, bringing together architecture, design, and food. Following the studio’s November 2024 intervention for the institution, the restaurant extends the same values of continuity, openness, and material sensitivity. The project subtle references Venice’s convivial spaces, historic cafés, shaded courtyards, and the language of civic architecture.

The transformation of the courtyard centers the project, now envisioned as an integral part of Scuola Piccola’s cultural program. The architects introduce a continuous surface of brick paving, developed in collaboration with Fornaci Sant’Anselmo and embedded with recycled glass, echoing the Venetian tradition of terrazzo. Salvaged Istrian stone from the nearby Arsenale restoration is reworked into a linear bench, and a new pergola structure – referencing the movable canopy of the Scuola Grande di San Rocco – frames the space for gatherings and performances throughout the warmer months.

Inside, bespoke elements like the custom boiserie reinterpret the visual identity of the Scuola with a nod to the warm intimacy of classic Venetian interiors. The project is completed with iconic furniture, including Enzo Mari’s Mariolina chair for Magis, and a menu by chefs Jack Martin and Nathan Cal Danby that puts seasonal ingredients and natural wines at the center of the experience.

 

practical info:

 

name: ABC Zattere | @abczattere
location: Dorsoduro 1401, Venice


image courtesy of ABC Zattere

 

 

zanze XVI

 

Just a short walk from Venice’s Santa Lucia train station, set along the quiet Fondamenta dei Tolentini, Zanze XVI feels like a Venetian tavern, but what arrives at the table is thoughtful, modern, and full of surprise. Chef Giovanni Rigoni leads a young, talented team, creating seasonal menus inspired by the lagoon and its surroundings with every dish baginning with ingredients hand-picked from local markets. Dishes are served for the whole table, in the tradition of local osterie, and vegetarian options are available with a bit of notice. There’s also a Chef’s Table for private gatherings, and an outdoor terrace when the weather’s right.

 

practical info:

 

name: Zanze XVI | @zanzexvi
location: Fondamenta dei Tolentini, 231, 30135, Venice
suggested by: Sam Baron | @sam__baron


image courtesy of Zanze XVI

 

 

gelateria paolin dal 1760

 

One of Venice’s oldest gelaterias, Gelateria Paolin dal 1760 sits proudly on Campo Santo Stefano, drawing both locals and visitors with its creamy, flavorful gelato and laid-back vibe. With tables spilling into the square, it’s a perfect spot to pause between museums and bridges

 

The gelato is what most people come for, but Paolin offers more than sweets. Their coffee is excellent (worth a stop on its own), and the menu extends to light bites, spritzes, and pastries for any time of day.

 

practical info:

 

name: Gelateria Paolin dal 1760
location: Campo Santo Stefano, 2962, 30124, Venice
suggested by:
Sam Baron | @sam__baron

 

 

cantina del vino gia schiavi – vini al bottegon

 

Just beyond the busiest thoroughfares of Venice, Cantina Schiavi offers an authentic glimpse into the city’s everyday rhythm, where locals and curious visitors alike gather to share a glass of wine and a plate of freshly prepared cicchetti in true bacaro tradition.

 

This historic wine bar and shop, with its shelves lined with over five hundred carefully selected bottles, from regional Italian labels to grappa, whisky, and rare liqueur, is both a neighborhood institution and a casual culinary stop. There are no seats here, only people standing elbow-to-elbow, enjoying panini made to order with fresh salumi, or sampling the day’s seasonal cicchetti, all prepared by the in-house cook. At lunchtime, the space hums with regulars grabbing a quick bite, while in the early evening, it transforms into a spirited gathering spot for aperitivo, with prosecco and spritz flowing freely.

 

practical info:

 

name: Cantina Del Vino Gia Schiavi – Vini Al Bottegon | @cantinaschiavi
location: Fondamenta Nani, 992, 30123, Venice
suggested by:
Sam Baron | @sam__baron


image courtesy of Cantina Del Vino Gia Schiavi – Vini Al Bottegon

 

 

ristorante local

 

Situated between Piazza San Marco and the Biennale, Local is a modern Venetian restaurant built on deep roots. It was opened in 2015 by siblings Benedetta and Luca Fullin, who grew up in Venice and wanted to create a place that felt both familiar and forward-thinking. The name Local speaks to that idea – it’s about territory, community, and, in Venetian dialect (Locàl), a gathering spot. Today, Benedetta runs the restaurant with her partner, Manuel Trevisan. Together, they’re shaping a style of hospitality that’s relaxed but precise, rooted in tradition but open to change. In the kitchen, chef Salvatore Sodano brings a fresh take on Venetian flavors using local ingredients.

 

practical info:

 

name: Local
location: Salizada dei Greci, 3303, 30122, Venice
suggested by: Juliane Rohr


image courtesy of Local

 

 

quadri

 

Located above the historic Grancaffè in Piazza San Marco, Ristorante Quadri is helmed by Max Alajmo and executive chefs Silvio Giavedoni and Sergio Preziosa. The Michelin-starred restaurant offers refined interpretations of classic Italian and Venetian cuisine, with ingredients sourced directly from the lagoon. Guests can choose from two tasting menus or à la carte options, each paired with a curated wine list that features both local producers and international names. The interiors, redesigned by Philippe Starck and the Alajmo brothers in 2018, were brought to life by local artisans who preserved the palazzo’s layered history while revealing its original grandeur.

 

practical info:

 

name: Quadri | @alajmo
location: Piazza San Marco, 121, 30124, Venice
suggested by: UNIMATIC | @unimaticwatches


image courtesy of Ristorante Quadri

 

 

harry’s bar & harry’s dolci

 

Harry’s Bar in Calle Vallaresso, Venice is a legendary place that’s been around since 1931. Over the years, it became a favorite hangout for all kinds of famous people, from movie stars and writers to artists and even royalty. It’s where big names like Ernest Hemingway, Katherine Hepburn, and Frank Lloyd Wright would come to relax, chat, and enjoy the vibe. Harry’s Bar feels warm and casual, like a cozy club where everyone knows each other or quickly becomes friends. The staff are friendly and laid-back, making sure you feel comfortable without any fuss or pressure. This easygoing spirit made Harry’s Bar so special that the Italian government recognized it as a National Landmark.

Carrying forward that same spirit of hospitality and charm, Harry’s Dolci opened 50 years later, in 1981, on the peaceful Giudecca Canal. Open from spring through autumn, it offers guests an escape where they can unwind by the water, savoring the gentle rhythm of passing boats. With its elegant white tablecloths, welcoming interior, and attentive service, Harry’s Dolci mirrors the timeless appeal of its iconic sibling.

 

practical info:

 

name: Harry’s Bar
location: Calle Vallaresso, 1323, 30124 Venice

 

name: Harry’s Dolci | @cipriani
location: Fondamenta S. Biagio, 773, 30133, Venice


image via @Cipriani

The post designboom’s guide to venice: what to see and do outside of the biennale appeared first on designboom | architecture & design magazine.

slender steel bridge with integrated net seating expands over foša port in croatia

steel Bridge over Foša Links Heritage and Public Space

 

Located within the UNESCO World Heritage Site of Trogir, Croatia, the Bridge over Foša is a contemporary pedestrian structure that connects the city’s historic core with Fortin Park across the sea channel. Designed by Prostorne Taktike, the bridge serves both infrastructural and social functions while responding to the site’s maritime and urban context.

 

The bridge’s form follows an asymmetric hyperbolic paraboloid geometry, resulting in a slender steel shell structure with variable cross-sections. This shape minimizes visual obstruction, preserving views of the city’s heritage landmarks. Its highest point acts as an unobtrusive threshold, maintaining the visual integrity of the old town.


all images by Darko Škrobonja

 

 

Prostorne taktike draws from Trogir’s shipbuilding heritage

 

For the bridge’s structure, the design team at Prostorne taktike draws from Trogir’s shipbuilding heritage. The internal caisson system, made from flat steel plates, echoes the double-bottom construction method commonly used in shipbuilding. Prefabricated as a single unit in a nearby shipyard, the entire bridge was transported by barge and installed onto pre-prepared abutments within one day. This off-site fabrication approach reduced disruption in the dense urban area while showcasing local industrial expertise.

 

Material selection and finishes were guided by considerations of durability and contextual relevance. The exterior is coated with a three-component system containing metal powder, allowing the surface to gradually develop a rust-like patina similar to Corten steel. This finish offers both aesthetic consistency and long-term protection.


the Bridge over Foša connects Trogir’s historic core with Fortin Park

 

 

Bridge over Foša integrates Seating, Movement, and Views

 

The pedestrian experience was carefully considered in the design. A staircase follows the bridge’s gentlest gradient, with tread materials selected to ensure safety and comfort. A combination of rubber and fine stone aggregate provides a stable walking surface in the stair zones, while softer rubber is used elsewhere for added comfort. On the north side, informal seating zones are integrated into the steeper sections, encouraging use beyond circulation. Facing Fortin Park, the bridge incorporates perforated steel panels fitted with a net. This intervention creates spaces for sitting and gathering, while visually connecting the upper and lower areas of the site. The perforation reduces visual weight and enhances the spatial relationship between the bridge and its surroundings.

 

The design and execution of the Bridge over Foša prioritize structural efficiency, environmental responsibility, and urban sensitivity. The use of locally sourced and recycled materials, combined with efficient fabrication and installation methods, helps reduce the project’s ecological impact. As a result, the bridge integrates contemporary engineering with historical awareness, contributing a new layer to Trogir’s evolving urban landscape.


the structure follows an asymmetric hyperbolic paraboloid geometry

trogir-croatia-bridge-over-fosa-prostorne-taktike-designboom-1800-3

its slender steel shell preserves views of Trogir’s heritage landmarks


the material choice balances durability and contextual sensitivity


rubber and stone aggregate provide stable, slip-resistant walking surfaces

trogir-croatia-bridge-over-fosa-prostorne-taktike-designboom-1800-2

softer rubber zones enhance pedestrian comfort on non-stair areas


the exterior finish includes a metal powder coating that develops a rust-like patina over time


a pedestrian staircase follows the gentlest slope of the bridge’s curved form


the bridge incorporates perforated steel panels fitted with a net


the design incorporates recycled and locally sourced materials


steeper sections serve as stairs and informal seating zones for rest and gathering


the perforation reduces visual weight and improves spatial connection across levels


the bridge contributes to Trogir’s evolving urban landscape


Bridge over Foša creates places for sitting and interaction near Fortin Park

 

project info:

 

name: Bridge over Foša
architect: Prostorne taktike | @prostorne_taktike

design team: Luka Cvitan, M.Arch., Antonia Cvitan Vuletić, M.Arch.

structural engineer: Orlandini Projekt d.o.o.

location: Trogir, Croatia

photographer: Darko Škrobonja

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post slender steel bridge with integrated net seating expands over foša port in croatia appeared first on designboom | architecture & design magazine.

linear, unbroken wall encloses weekend villa by maanchitra in rural india

Maanchitra builds Silent Wall villa in Vadodara

 

Located on the rural outskirts of Vadodara, India, The Silent Wall is a weekend villa designed by Maanchitra that explores restraint, spatial sequencing, and material clarity. The project takes a deliberate departure from conventional farmhouse typologies by introducing a single, linear wall as the central architectural gesture. Standing at the site’s edge, the unbroken wall acts as both a visual and spatial threshold. It is neither a gate nor an enclosure, but rather a pause that defines entry. Taller and more prominent than its surroundings, the wall establishes a strong vertical mass that shapes the initial spatial experience, drawing focus and momentarily halting movement before transition into the house.

 

Beyond this threshold, the interior unfolds in a series of spatial transitions. Movement first passes through a compact, compressed foyer that regulates circulation before releasing into a linear grid of spaces. The living area is sunken, bringing the surface of the adjacent body of water into close visual alignment with the interior floor level. This relationship blurs the boundary between indoor and outdoor space. Private areas follow a clear linear organization, with verandahs and small courtyards positioned to mediate between interior rooms and the surrounding landscape. The architectural layout maintains a balance between openness and controlled enclosure.


all images by Himon Mukherjee

 

 

Silent Wall employs noble, unprocessed materials

 

Designers at Maanchitra opt for materials with elemental and unprocessed finishes. Rough-cut natural stone, untreated timber, and lime-washed surfaces define the palette. The design intentionally avoids synthetic finishes such as laminates and polishes, allowing the building materials to weather naturally over time. Surface imperfections and material aging are integrated as part of the design intent, contributing to the villa’s evolving character.

 

Interior elements, including artworks and handcrafted objects, are integrated into the building fabric rather than added as decorative afterthoughts. Niches, walls, and built-in features follow a consistent spatial rhythm that reinforces the architecture’s composition. The Silent Wall villa prioritizes slow spatial revelation, emphasizing sensory transitions between light and shadow, solid and void, interior and exterior. Circulation flows between shaded corridors, sunlit courtyards, and quiet water edges, encouraging an engagement with changing atmospheres throughout the day.


the architectural composition emphasizes controlled enclosure and openness


verandahs and small courtyards mediate between indoor spaces and the landscape

 

silent-wall-weekend-villa-india-maanchitra-designboom-1800-2

the wall acts as both a spatial and visual pause before entering the house


transitions between light and shadow define the interior atmosphere


built-in niches and wall surfaces integrate handcrafted objects and artworks


material choices include rough-cut natural stone and untreated timber


the layout follows a clear linear grid, balancing openness and order


a sunken living area brings the waterbody into close visual alignment with the floor level


water edges and reflective surfaces enhance indoor-outdoor connections


spatial rhythm is maintained through consistent alignment of interior elements


the design intentionally avoids synthetic materials and polished finishes


lime-washed surfaces contribute to the palette of unprocessed finishes

silent-wall-weekend-villa-india-maanchitra-designboom-1800-3

the Silent Wall remains visually anchored in its rural setting

 

project info:

 

name: The Silent Wall

architect: Maanchitra | @maanchitra_
design team: Ar. Milan Patel | @milanpate1999, Ar. Dutt Patel | @duttpatel108, Ar. Kinjal Zatakiya | @km_zatakiya, Ar. Parth Sheth | @sheth_11
location: Vadodara, India

photographer: Himon Mukherjee | @wtfhimon_
videographer: Sunny Parwani | @better.call.sunny

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post linear, unbroken wall encloses weekend villa by maanchitra in rural india appeared first on designboom | architecture & design magazine.