Explore Storytelling Through 300 Years of Quilts in ‘Fabric of a Nation’

Explore Storytelling Through 300 Years of Quilts in ‘Fabric of a Nation’

While we often associate quilts with their function as bedspreads or an enjoyable hobby, the roots of the craft run very deep. The art form has long been associated with storytelling, and numerous styles have enabled makers to share cultural symbols, memories, and autobiographical details through vibrant color and pattern.

African American quilters have significantly influenced the practice since the 17th century, when enslaved people began sewing scraps of fabric to make blankets for warmth. Through artists like Harriet Powers in the 19th century or the Gee’s Bend Quilters, this powerful mode of expression lives on in rich tapestries and textile works being made today.

a quilt of an American flag with small panels with animals and people in silhouette
Civil War Zouave Quilt (1863–64), wool plain weave and twill, cotton plain weave and other structures, leather; pieced, appliquéd, and embroidered with silk

A new exhibition titled Fabric of a Nation: American Quilt Stories from the Museum of Fine Arts, Boston opens this week at the Frist Art Museum, surveying nearly 50 quilts from the MFA’s collection. Works span the 19th through 21st centuries, with bold textiles by contemporary artists like Bisa Butler included alongside Civil War-era examples and commemorative album quilts.

Stories play a starring role in Fabric of a Nation, which delves into the socio-political contexts in which the pieces were made and how narrative, symbolism, and autobiography shaped their compositions. For example, a unique Civil War quilt completed by an unknown maker in 1864 repurposes fabric from Zouave uniforms. Small panels featuring birds, soldiers on horseback, and the American flag transport us to a time when the U.S. had been at war for three years.

Another fascinating piece is another flag composition in which the stripes have been stitched with dozens of names, including Susan B. Anthony near the top of one of the central columns. Known as the “Hoosier Suffrage Quilt,” it’s thought to chronicle suffrage supporters.

More recently, Michael C. Thorpe’s untitled work features the bold appliquéd words “Black Man” over pieced batik fabrics. Butler’s large-scale “To God and Truth” is a colorful reimagining of an 1899 photograph. She transforms a black-and-white image into a vibrant, patterned portrait of the African American baseball team of Morris Brown College, Atlanta.

Fabric of a Nation opens on June 27 and continues through October 12 in Nashville. Find more and plan your visit on the museum’s website. You might also enjoy exploring more quilts by Black Southern makers or Stephen Townes’ embroidered tableaux of leisure in the Jim Crow South.

a patchwork quilt with various scenes
Possibly made by Mrs. Cecil White, “Scenes of American Life” (1920), cotton plain weave, twill, and compound weave; silk plain weave, pieced and applied top tied to backing, 77 x 60 inches
a small textile artwork with appliqued words "Black Man" in brown fabric
Michael C. Thorpe, Untitled (2020), printed cotton plain weave and batting; machine quilted, 20 x 16 inches
a quilt in the shape of an American flag, with the stripes embroidered with the names of people who may have been suffrage supporters
Hoosier Suffrage Quilt (before 1920), cotton plain weave, pieced, embroidered, and quilted
an abstract quilt with figures and faces in the middle, all of whom are crying
Designed by Edward Larson and quilted by Fran Soika, “Nixon Resignation Quilt” (1979), cotton plain weave; printed, quilted, appliquéd, and embroidered, 101 x 85.5 inches
a chenille blanket with a peacock and flowers
Unidentified maker. Peacock Alley Chenille Bedspread (1930–40s), cotton plain weave, embroidered with cotton pile; 99 x 88 1/2 inches
a colorful ,striped quilt with a large classical building in the center, flanked by eagles
Centennial Coverlet (about 1876), wool and cotton, jacquard woven, 77 5/8 x 85 3/8 inches
a colorful Baltimore album quilt
Baltimore album quilt (c. 1847–50), cotton plain weave, pieced, appliquéd, quilted, and embroidered ink. Photo © Museum of Fine Arts, Boston

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